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With limited accomplishments chalked up, as he approaches 100 days in office, the president still seems to be stuck on one thing: how many people are tuning in.

The Centers for Disease Control and Prevention shows that about 10 people every day die from unintentional drowning and Florida has the highest unintentional drowning rates in the nation. According to The Florida Department of Health, there were 430 unintentional drownings in Florida in 2015. Lifeguards at the University of Central Florida are tested at random to make sure they’re always prepared for a drowning situation

The 1970 Boundary Treaty requires that U.S. and Mexican officials on the International Boundary and Water Commission be in agreement before building structures that might affect the Rio Grande's flow.

The Orlando Science Center’s Jeff Stanford says he thinks there’s more interest in space exploration now than any other time since the Apollo era. Brendan Byrne finds the most popular display at the science center's Astronaut exhibit.

A homeowners association in Seminole County is trying to stop the black bear buffet line. Every resident in Springs Landing is getting a bear-proof trashcan.

Former Olympian Rowdy Gaines is trying to turn the tide on drowning. Gaines heads the YMCA of Central Florida's aquatics program, where he's trying to get more kids involved in swim lessons.

Economic analyst Hank Fishkind is bracing for what he says will be a “pivotal” week for financial news on the both the national and state levels. He’s also sifting through Florida’s newly-released jobs report.

Hispanic small business owners from across central Florida will sit down Tuesday morning with the head of the U.S. Small Business Administration, Linda McMahon.

Ankiel entered the major leagues in 1999 as a gifted pitcher, but one day suddenly lost that gift. He talks about his pitching demons, his troubled childhood and his way back to baseball.

Dani Shapiro's new memoir dramatizes the dizzying ways a lifetime passes, loops around, speeds up and sometimes seems to stand still. Critic Maureen Corrigan calls it an incisive and charged work.