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  • Art Spiegelman's new book, Co-Mix: A Retrospective of Comics, Graphics, and Scraps, collects comics from a six-decade career, from his early, self-published works to his famous New Yorker covers. Spiegelman tells NPR's Scott Simon he knew in third grade that he wanted to be a cartoonist.
  • Norman Rush's newest novel takes a geographic hiatus from Botswana, his usual literary location. Instead, reviewer Drew Toal says the book is instead full of irritating intellectuals, postmortem scandal, and a group of collegiate clowns who come together after the death of an old friend.
  • A chance encounter with a little girl in an ice cream store inspired R.J. Palacio to write a novel about a boy born with distorted facial features. She says it got her thinking about what it's like to "have to face a world every day that doesn't know how to face you back."
  • One of the most powerful lobbies on Capitol Hill is AIPAC, the American Israel Public Affairs Committee, which commands bi-partisan respect on Middle East issues. But on the matter of possible military strikes on Syria, AIPAC is having a rare tough go of it.
  • In his new book, Average Is Over, Tyler Cowen predicts that America will become a new, more creative meritocracy. Though he believes a rise in income inequality is inevitable, he hopes that "happiness inequality isn't going up in the same way."
  • Suicide rates among Native Americans are already four times the national average. And with recent cuts in federal funding for mental health services across the country, suicide prevention programs may lose ground in the communities that need them most.
  • Tom Perrotta has been called "the Steinbeck of suburbia" for his depictions of self-sabotaging adolescents and foolish middle-class adults. His new book — his first short-story collection in 19 years — is full of strong but repetitive stories, sad tales of failures earnestly yearning to do better.
  • Two centers of culture are in conflict on the banks of the Thames in London. One is the world renowned South Bank Center of the Arts, with four resident orchestras, including the London Philharmonic. It also has conservatories, the Royal Festival Hall, the Hayward Gallery and the Queen Elizabeth Hall. The other cultural landmark is the Undercroft, a dark, concrete cavern, covered in graffiti, that lies beneath the Arts Center and looks out on to the Thames. It's the birthplace and temple of British skate boarding. For forty uninterrupted years it has been hallowed ground for those who regard skate boarding as an art form every bit as legitimate as anything performed in the concert halls above. But now the South Bank Arts Center is trying to force the skateboarders to a different location, so the Undercroft can be leased to restaurants. And the skate boarders are mobilizing to resist.
  • Media outlets are full of stories about whether women can "have it all." After becoming a mother, Curtis Sittenfeld came to appreciate novels and memoirs that look beyond those headlines to celebrate the difficult, messy, delightful juggling act of parenthood. She shares three of her favorites.
  • Author Jesse Walker argues that believing in shadowy cabals and ominous secrets isn't just for people on the margins — it's as American as apple pie. He says that our nation's paranoia stretches back to the colonial era, and that some conspiracy theories are believed by a majority of Americans.
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