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Collins, whose sound has become musical shorthand for the '80s, has a new book, Not Dead Yet. "Music has given me everything, but it's also taken everything from me," he says.

Feminist historian Blanche Wiesen Cook published the first volume of her biography of Roosevelt in 1992. Critic Maureen Corrigan says the newly released final volume is exhausting and exhilarating.

The tradition goes back to the 19th century, when the U.S. was largely an agrarian, Christian society. People needed a day to travel by horse and buggy to vote and November was after the fall harvest.

Economic analyst Hank Fishkind says if he mentions the phrase “gross domestic product” to people who aren’t in his line of work, he can sometimes see their eyes glaze over. But GDP matters, he says, and you may be surprised just how much – especially in the Sunshine State, and even more acutely here in central Florida.

Billy Collins’ latest collection of poetry made it onto the New York Times best-seller list. The former U.S. poet laureate joins Intersection to read from his newest collection, "The Rain in Portugal," and talk about poetry's place in modern life.

The BBC's Tim Franks describes the 2016 U.S. presidential election as “gripping, unexpected and enormously consequential.” The host of Newshour joins us for a discussion about how the election looks from the United Kingdom, and why this election matters to the U.K. and the rest of the world.

Long serving Republican congressman John Mica is fighting to retain his seat in Central Florida’s 7th congressional district. Mica talks about what he still wants to accomplish if he's re-elected, and his support for Donald Trump.

The artist and illustrator says that behind every fun, whimsical sketch there are "100 very boring, unsexy steps." Niemann describes his creative process in his new book Sunday Sketching.

The children of migrant farm workers are some of the country's poorest, most undereducated and hardest to track down. Programs like one in southern Indiana are working to change that.

Kerry Egan's job is to help dying people accept their own mortality. It's profoundly sad, but it's also rewarding. "I'm constantly reminded of ... how much love people have for each other," she says.